

Sculpt
The artist’s sculptural practice extends drawing into three-dimensional forms, situating sculpture as artefact, ruin, and excavated trace.
Informed by the movement of time, archaeology and archival methods, the work treats form as evidence of an experience or historical realities, and moments that might become forgotten, disregarded, or obscured. Each sculpture functions as a fragment rather than complete narratives, inviting readings shaped by the viewers' speculations.
Material choice and process operate through assembly, erosion, and reconfiguration, exposing the instability of form and vulnerability over time. Some of the works resist permanence, instead aligning with the logic of the ruin: incomplete, contingent, and open to reinterpretation and continual change.
Positioned between recovery and decay, the artefact sculptures acknowledge the inevitability of disintegration and historical erasure.

Acrylic paint on plaster with a resin coating | 2026

Wire sculpture, 2025.

Wire sculpture, 2025.

Plaster and embedded wire removed 2025

Handmade paper (Shredded documents) Black and white wire, Zinc etching, Red thread 2024

Found object 2023

Found object 2023

Trinity Centre, Bristol Fibreglass globe sculpture, 2022.

College Green, Bristol Fibreglass globe sculpture, 2022.

Pewter sculpt, 2019.





Solder Metal 2019









Air Dry Clay 2019

Woodcut on Plaster 2025 Adam Grose

Acrylic and Posca on Gel Print on Plaster and Wet Strength on Plaster 2026 Adam Grose

Gel print Posca Acrylic on Gel Plate on Plaster with Resin 2026 AdamGrose

Gel print Posca Acrylic on Gel Plate on Plaster with Resin 2026 Adam Grose

Acrylic on Plaster Resin 2026 Adam Grose
