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Original Prints

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Harbour (Cornwall)

£75.00 (Incl P & P)

new

This is a screen print composed of four colours and black printing ink on recycled cartridge paper. The image brings together a different scene, each represented by a different colour, and forms a series of limited prints exploring the harbours seen in Cornwall, inspired by the compact nature of small harbour in Cornwall, along its coast.

Buildings, foliage, boats, sea. Each represented by a different colour, through the screen printing method.

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CategoryPrintmaking: Screenprint

Subject: Landscapes, sea and sky

Substrate: Paper

Materials: Screen printing ink on recycled cartridge paper

Style: Expressive and gestural

Dimensions: 21 x 29.7 x 0.1 cm (unframed) / 21 x 29.7 cm (actual image size)

Edition size: Limited edition of 5

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Somerset (Spring)

£157.00 (Incl P & P)

The image is my response to being immersed in the local landscape, observing the colours and forms seen as I cycle and walk around, soaking in the effects of Spring, seeing all the colours emerge from the plants and the wildlife as we move towards Summer. These are abstract pieces evoking the landscape, inspired by the methods of Japanese printmaking, Helen Frankenthaler's soak paintings and Joan Mitchell's painting landscapes from memories.

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This is a form of monotype woodcut printmaking created through using the japanese method of laying colour onto a wood surface to transfer onto dampened paper, through the use of Nori as a binder and Watercolour paint for colour.

This process allows me to control the colours and the blending effects to form many layers onto the surface of the recycled paper, allowing me to form my responses to travelling around the landscape, choosing the colours and layering each on top, whilst the paper is damp.

The paper is dampened the night before and left to completely soak through, allow for the subtle colour to adhere to the surface.

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Materials used:

Watercolour paint, nori paste, recycle paper, plywood

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Skynet

£235.00 (Incl P & P)

This is a netmesh screenprint made from found and homemade items, using cotton netting, rather than traditional screenprint mesh.

 

 The image takes on the appearance of a glitch in the digital realm, revealing a ghostly face from the depths of the net, as though with the rise of A.I. the ghost in the machine is awaiting, preparing itself for a grand reveal, once all is in place.

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 The image is created through the use of screen drawing fluid, which is applied to the netting, and once dry, the acrylic paint is pulled across, both creating the image, whilst at the same time disintegrating the fluid, so only one copy exists, rather than many, which is opposite to the printmaking process, therefore becoming unique.

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The Voices We Carry (II)

£75.00 (plus £9.95 for Postage and Packing))

This is a print made up of a few suffragette African American woman.

 

The image celebrates the unknown women from the past who fought not only for the rights to be recognised as African Americans, but also to raise the rights of women to have the vote.

 

Each of the women in this image are taken from images of little known or unknown women from the USA found in archival photo libraries. These etchings keep alive their contribution to society and contribute to the phrase: Injustice for some is an injustice for all.

 

The image has been drawn delicately, using a range of crosshatching to form the images, seeking a balance between the main image and those that are not quite fully formed. The print continues the ongoing project Lost Generations series of works #lostgenerations.

 

Etching / Engraving on Paper From a limited edition of 10 (9 left)

Size: 17.6 x 25 x 0.1cm (unframed) / 9.9 x 14.9cm (actual image size)

Signed and numbered on the front

Style: Impressionistic Subject: People and portraits

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Mr Guitar Man

£265.00 (Incl postage and packing)

This is a monoprint of an ex-slave taken from the American archives that recorded hundreds of ex-slaves in photography.  I have been working my way through this archive, creating a series of portraits for my other project '12 Disciples' as part of my larger ongoing project titled 'Lost Generations'.

During the process of working with these images I am also creating a series of monoprints that are being used to explore other experimental printworks, exploring new ways of creating drawings/ prints that take on the appearance of realist/ photorealism  forms, grounded in areas associated with memory, time, history and entropy.

[Framed in an antique white mount frame]

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Femme

£75.00 (Incl postage and packing)

Femme is a silkscreen net print of a model created through using screen drawing fluid, created initially on the screen in the negative format.  This allows the image to be printed in the positive, therefore avoiding using screen block.  

This has allowed for a 'noir style' printmaking method of the model in black acrylic paint through a screen.  

There are only five of these prints, with each one slightly different due to natural disintegration.

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Sophia

£45.00 (Incl postage and packing)

Sophia is part of a series of prints created in response to the #100DAYPROJECT running on instagram. These images are a series of prints created over the 100 days [running from 02:04:2019], each exploring a variety of ways to produce a monotype print, producing a creative response to the day of its creation and thoughts during its making.

The images explore abstraction, history or figurative idea, exploring various ways of applying ink for printing and using various ways of layering colour or stripping colour away to form an image.

Each of these prints are printed as postcard sized prints. This is #12 of 100 and also numbered 1/1 as there is only one of this type.

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Creech Canal

£75.00 (Incl postage and packing)

This is a block print of a tree growing along the embankment of the old Chard canal that ran from Creech St Michael to Chard in Somerset. It was built just before the arrival of the railway.

This image is taken from Creech St Michael where part of the canal is in ruins. The reservoir in Chard is now a bird and animal sanctuary. The closing of the canal was authorised by an Act of Parliament in 1867.

These prints are made from four woodcut block prints. The blocks were lightly pressed, creating a stippling effect, with many layers of colour laid on top of one another, adding depth to the image.

The print is printed on eco-recycled acid free cartridge paper.  Each image runs in sequence 1 to 15.

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